It came from a land down under . . . From the early seventies through the mideighties, a resurgence of government funding for national film production gave birth to a generation of brave, unconventional new voices who made Australia the home to a brief but bright-burning cinematic renaissance. Among the filmmakers who emerged from this artistic flowering were pivotal figures like Peter Weir, George Miller, Gillian Armstrong, Bruce Beresford, Fred Schepisi, and Phillip Noyce, many of whom went on to successful international careers. Encompassing subversive visions of Australian history (PICNIC AT HANGING ROCK, MY BRILLIANT CAREER), a dystopian science-fiction cult classic (THE CARS THAT ATE PARIS), groundbreaking coming-of-age dramas (THE DEVIL’S PLAYGROUND, PUBERTY BLUES), and beyond, these formally bold, thematically provocative films delved into the intricacies of Australian society and identity with newfound fearlessness. Among their most urgent concerns was for the country’s relationship to and mistreatment of its Indigenous people, as seen in works like WALKABOUT and THE LAST WAVE, both of which star legendary Aboriginal actor David Gulpilil, who stands as one of the movement’s most enduring faces.